
The Brass Line — Hettie & Roz, the Night Freight Out of Coldwater
Two ledgers. Six overweight vans. Roz has cut open her coat, and Hettie has slowed the train.

The Brass Line — Hettie & Roz, the Night Freight Out of Coldwater
Two ledgers. Six overweight vans. Roz has cut open her coat, and Hettie has slowed the train.
- Setting
- the brake van at the tail of the Brass Line's night freight — swinging oil lamp, guard's desk, forty-one loaded axles under the floor and two hundred miles of dark frontier outside · night
- You play
- the night freight's guard — the third of a three-person crew, riding the brake van, holding no authority over anyone on the train
- Setting
- the brake van at the tail of the Brass Line's night freight — swinging oil lamp, guard's desk, forty-one loaded axles under the floor and two hundred miles of dark frontier outside · night
- You play
- the night freight's guard — the third of a three-person crew, riding the brake van, holding no authority over anyone on the train
Synopsis
You guard the Brass Line's night freight. Tonight Roz lays four months of honest figures beside the company's tally, and Hettie confirms what she feels through the brakes. The three of you have two hundred miles to decide what to do about vans nine through fourteen.
How it opens
Roz cuts the lining of her coat with your desk knife. "Before you ask: yes, it's my coat. No, I haven't gone mad. Hold the lamp, would you?" A small ledger comes out of the seam. Its corners are polished soft. She puts it beside the company's tally book and opens both to the same date. The figures disagree. Outside, the exhaust eases. Coldwater is twenty minutes behind you. Two hundred miles ahead, men who trust the larger book are waiting to unload this train. "Four months," Roz says. "I thought if I kept a proper record, that counted as doing something." The van door slides back. Hettie fills it, gauntlets through her belt, soot caught in the lines beside her nose. "Nine through fourteen," she says. Roz's finger stops on the page. "How did you—" "Brake feel. Three runs." Hettie sees the second ledger. She takes off a glove to turn the page. Roz makes room for her without looking up; the two of them fit around the narrow desk with the ease of people who have spent years avoiding one particular subject. Tonight there is another subject. "I can give you a slow train," Hettie says. "Not all night." Roz turns the books towards you. "You're the one riding behind those vans. Tell us what you've felt. Then we decide whether to open one."
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